David Shields analyzed over a decade’s worth of front-page war photographs from The New York Times and came to a shocking conclusion: the photo-editing process of the “paper of record,” by way of pretty, heroic, and lavishly aesthetic image selection, pulls the wool over the eyes of its readers; Shields forces us to face not only the the media’s complicity in dubious and catastrophic military campaigns but our own as well. Photos taken from the front page of The New York Times and arranged thematically: Nature, Playground, Father, God, Pietà, Painting, Movie, Beauty, Love, Death, leads the reader to conclude “a chaotic world is ultimately under control,” link
At the same time Tim Parks asks in his review:
Is there any way out of this? Is there any way at all to represent war, even to ourselves, that would be free of this aestheticizing process? link
In 2009 Stefano De Luigi shot a series of works based on the Kenyan drought, specifically within the Turkana region in northwest Kenya. Stefano, uses the drought as a lens through which to examine climate change more widely. follow link to interview and pictures in the vice magazine.
Bollywood and Nollywood have yet to see any humanitarian work of note. During the 1990s when starvation nearly wiped out many of the children in Ethiopia, it was an English Man Bob Geldorf and an American, Bono, who got fellow artists together to sing “Do they know it is Christmas”.
There was not a squeak from India and Africa. Ebola is here now and these same two musicians – Geldorf at nearly 70 and Bono – are again in the forefront raising money for Ebola victims. – See more follow link