Imaging famine: How critique can help by David Campbell
What is the point of critique, and how can it help produce better visual stories? According to Jonathan Jones (writing in the Guardian on 22 July) all the sophisticated critiques of photojournalism are pointless when it comes to picturing famine: It seems shocking that commentators…wasted their breath on the ethics of a photograph instead of urging action to deal with the suffering it showed. The fact that people far away can see with visceral immediacy the facts of a crisis like the one now hitting the Horn of Africa is one of the most optimistic aspects of the modern world. Consciences are awakened by the camera. # Jones’s own critique is simplistic – either you see or you don’t, visibility is better than blindness, and images provoke conscience. The last point demands more consideration, but in casting the issue in terms of a simple either/or proposition of seeing or not seeing, Jones misses the big picture. The issue is HOW we see, what effect does a particular way of seeing have on our understanding of the issue, and how might we see more effectively?